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David Horn

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David Horn was a founding editor of the journal Popular Music and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool from 1988 until his retirement in 2002. Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time. Author affiliation details are correct at time of print publication.

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John Shepherd

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John Shepherd is Vice-Provost and Associate Vice-President (Academic) and Chancellor’s Professor of Music and Sociology at Carleton University, Ottawa, Canada. He was from 2007-2012 Carleton’s Dean of Graduate and Postdoctoral Affairs. Dr. Shepherd has been a member of EPMOW’s editorial board since 1990. In 2000, he was elected a Fellow of the Royal Society of Canada in recognition of his role “as a leading architect of a post-War critical musicology.” Author affiliation details are correct at time of print publication.

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Heidi Feldman

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Heidi Feldman is Lecturer in Ethnomusicology at the University of Southampton, UK. Author affiliation details are correct at time of print publication.

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Mona-Lynn Courteau

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Mona-Lynn Courteau is an academic editor based in Auckland, New Zealand. Author affiliation details are correct at time of print publication.

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Pamela Narbona Jerez

Pamela Narbona Jerez is a musicologist and a singer based in San Diego. She is currently an independent researcher in music and a freelance translator and editor. Author affiliation details are correct at time of print publication.

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and

Hettie Malcomson

Hettie Malcomson is Lecturer in Ethnomusicology at the University of Southampton, UK. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume IX : Genres: Caribbean and Latin America

Bloomsbury Academic, 2014

Encyclopedia Articles

0

Tonada Potosina

Bloomsbury Encyclopedia of Popular Music of the World Volume IX : Genres: Caribbean and Latin America

Bloomsbury Academic, 2014

Encyclopedia Articles

0

...Derived from the huayño (a pre-Hispanic genre of Andean music), the tonada potosina is a traditional Bolivian musical genre from an extensive geographical area that encompasses more than the department of Potosí in Bolivia. It is a generic...

Danzonete

Bloomsbury Encyclopedia of Popular Music of the World Volume IX : Genres: Caribbean and Latin America

Bloomsbury Academic, 2014

Encyclopedia Articles

0

...Danzonete is a sung form of the danzón which arose when the instrumental form of danzón was in decline in Cuba, as a result of the rise of son. Credit for the first danzonete is usually given to Aniceto Díaz, a musician from Matanzas...

Aire típico

Bloomsbury Encyclopedia of Popular Music of the World Volume IX : Genres: Caribbean and Latin America

Bloomsbury Academic, 2014

Encyclopedia Articles

0

...The aire típico is a mestizo (mixed Hispanic and indigenous) musical genre of lively character that emerged in the late nineteenth century. Popular in the highland region of Ecuador, it is characterized by a pentatonic-based melody...

Avanzada

Bloomsbury Encyclopedia of Popular Music of the World Volume IX : Genres: Caribbean and Latin America

Bloomsbury Academic, 2014

Encyclopedia Articles

0

...Created and developed by Paraguayan composer Oscar Nelson Safuán (1943–2007), the avanzada combines the rhythmic pattern of the Paraguayan galopa with that of the guarania in a 2:1 (galopa/guarania) measure ratio, resulting...

Música del Recuerdo

Bloomsbury Encyclopedia of Popular Music of the World Volume IX : Genres: Caribbean and Latin America

Bloomsbury Academic, 2014

Encyclopedia Articles

0

...Música del recuerdo (music of yesteryear) comprises a specific repertoire of romantic baladas (ballads) from the 1960s and 1970s, which are currently listened to by Ecuadorian lower-class youths in large concerts of Ecuadorian...

Dobrado

Bloomsbury Encyclopedia of Popular Music of the World Volume IX : Genres: Caribbean and Latin America

Bloomsbury Academic, 2014

Encyclopedia Articles

0

...Dobrado is a term popularly used in Brazil to refer to musical compositions within the marcha genre, performed predominantly by instrumental ensembles known as bandas, bandas de música (music bands) or bandas de coreto (gazebo or bandstand...

Música Costeña

Bloomsbury Encyclopedia of Popular Music of the World Volume IX : Genres: Caribbean and Latin America

Bloomsbury Academic, 2014

Encyclopedia Articles

0

...The term ‘música costeña’ literally means ‘music of the coast.’ The term is most current in Colombia, where it refers to music associated with the country’s Caribbean coastal region, although the term may also be heard in Mexico, to refer...

Quelbe

Bloomsbury Encyclopedia of Popular Music of the World Volume IX : Genres: Caribbean and Latin America

Bloomsbury Academic, 2014

Encyclopedia Articles

0

...The Virgin Islands, though divided politically into British and United States territories, share many common threads of history and culture. The folksong invention known as quelbe (also, quelbey) and the ensemble that plays it, called...

Toada

Bloomsbury Encyclopedia of Popular Music of the World Volume IX : Genres: Caribbean and Latin America

Bloomsbury Academic, 2014

Encyclopedia Articles

0

...Toada is used throughout Brazil to indicate any simple song. It is related to the Portuguese verb toar, meaning, ‘to sing a simple song.’ It is a generic term and many times appears as a synonym for moda, or song. Its main characteristics...