Heidi Feldman is an AAUW American Postdoctoral Research Fellow and Visiting Scholar at University of California, San Diego’s Center for Iberian and Latin American Studies, USA. She served as Volume Editor for the Bloomsbury Encyclopedia of Popular Music of the World from 2010 to 2017. In 2007, her book, Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific, earned the International Association for the Study of Popular Music-U.S.’s Woody Guthrie Prize. Author affiliation details are correct at time of print publication.
David Horn was a founding editor of the journal Popular Music and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool from 1988 until his retirement in 2002. Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time. Author affiliation details are correct at time of print publication.
John Shepherd is Vice-Provost and Associate Vice-President (Academic) and Chancellor’s Professor of Music and Sociology at Carleton University, Ottawa, Canada. He was from 2007-2012 Carleton’s Dean of Graduate and Postdoctoral Affairs. Dr. Shepherd has been a member of EPMOW’s editorial board since 1990. In 2000, he was elected a Fellow of the Royal Society of Canada in recognition of his role “as a leading architect of a post-War critical musicology.” Author affiliation details are correct at time of print publication.
Gabrielle Kielich is a PhD Candidate in the department of Art History and Communication Studies at McGill University in Montreal, Canada. Author affiliation details are correct at time of print publication.